Essays, Multimedia Features and Podcasts

ESSAYS, COLUMNS, FEATURES AND STORIES

Lindsay Adler, “Teen Girl Posed for 8 Years as Married Man to Write About Baseball and Harass Women” (Deadspin, 2017, 3266 Words)
Hanif Abdurraqib, “We're More Ghosts Than People” (The Paris Review, 2023, 3922 words)
Hanif Abdurraqib, “On Summer Crushing” (The Paris Review, 2019, 1958 words)
Elizabeth Alexander, “The Trayvon Generation” (The New Yorker, 2020, 1700 words)
Erin Allday, “Last Men Standing” (SF Chronicle, 13977 words)
Holly Anderson, “Life’s Rich Pageant: Meet a Florida Man” (Grantland, 4545 words)
Nawal Arjini, “How to Be Critical of the Things You Love: A Conversation with Hanif Abdurraqib” (The Nation, 2019, 2150 words)
Jacob Bacharach, “We Don’t Have Time for Nihilism” (Jacobin, 2018, 1000 words)
Jacob Bacharach, “Sometimes Inclusion is Going to be a Bit Embarassing” (The Outline, 2019, 1400 words)
Aaron Bady, “Libertarian Fairy Tales: The Bundy Militia’s Revisionist History” (PSMag, 2549 words)
Aaron Bady, “To Be a Consumer of Culture Means Living in a Hostage Situation” (Slate, 2023, 3100 words)
Aaron Bady and Mike Konczal, “From Master Plan to No Plan” (Dissent, 4465 words)
Andy Baio, “Never Trust a Corporation to do a Library’s Job” (Medium, 1366 words)
Erik Baker, “Daniel in the Lion’s Den” (The Baffler, 2023, 2100 words)
Katie Baker, “Love Letters” (Grantland, 3945 words)
Katie Baker, “The Letter the Stanford Victim Read Aloud to Her Attacker” (Buzzfeed, 7566 words)
Katie Baker, “What Do We Do With These Men?” (New York Times, 2018, 1600 words)
David Banks and Britney Gil, “Bad Metaphors: Community” (Real Life, 2019, 2400 words)
Jesse Barron, “The Babysitters Club” (Real Life, 3037 words)
Amos Barshad, “Yankees Suck! Yankees Suck!” (Grantland, 7335 words)
Ben Baskin, “The Final Days of Eli (or Not?)” (Sports Illustrated, 5740 words)
Peter Beinart, “Torture is Who We Are” (The Atlantic, 3820 words)
Burkhard Bilger, “Where Germans Make Peace with Their Dead” (The New Yorker, 8647 words)
Nick Bilton, “How Elizabeth Holmes’s House of Cards Came Tumbling Down” (Vanity Fair, 5119 words)
Willy Blackmore, “Career Waiters” (Popula, 2018, 1300 words)
Heidi Blake and John Templon, "The Tennis Racket" (Buzzfeed, 9000 words)
Laura Bliss, “The Automotive Liberation of Paris” (CityLab, 2018, 1050 words)
Ben Blum, “The Lifespan of a Lie” (Medium, 2018, 7,628 words)
Marina Bolotnikova, "America's Car Crash Epidemic" (Vox, 2021, 3300 words)
Tom Borden, “Chapecoense: Eternal Champions” (ESPN, 2017, 9062 words)
Jamelle Bouie, “Why Don’t Young People Vote? This System Doesn’t Want Them To” (Slate, 2018, 1400 words)
Jamelle Bouie, “Minority Rule Does Not Have to Be Here Forever” (Slate, 2018, 2000 words)
Jamelle Bouie, “The Enlightenment’s Dark Side” (Slate, 2018, 2200 words)
danah boyd, “Hacking the Attention Economy” (Data Society, 1997 words)
Taylor Branch, “The Shame of College Sports” (The Atlantic, 14615 words)
Matt Brennan, “How The Good Place Became TV's Best Portrait of Friendship,” (Paste, 2018, 1500 words)
Jimmy Breslin, “Digging JFK's Grave was his Honor” (New York Herald Tribune, 1963, 1200 words)
Steven Brill, “Is America Any Safer?” (The Atlantic, 2016, 18294 Words)
Leila Brillson, “The Fury of Sinead O’Connor” (Welcome to Hell World, 2023, 1600 words)
Jonah Engel Bromwich, “The Raisin Situation” (The New York Times, 2019, 3,844 words)
Julie K. Brown, “Perversion of Justice” (Miami Herald, November 28, 2018, 18,700 words)
Rembert Browne, “Going Down the Rabbit Hole With Nicki Minaj” (Grantland, 1795 words)
Rembert Browne, “The Front Lines of Ferguson” (Grantland, 3491 words)
Rembert Browne, “Colin Kaepernick Has a Job” (Bleacher Report, 2017, 9900 words)
Elizabeth Bruenig, “What Do We Owe Her Now?” (Washington Post, 2018, 9,475 words)
Susan Burton “Terry Gross and the Art of Opening Up” (New York Times, 2015, 4911 words)
Oobah Butler, “I Made My Shed the Top-Rated Restaurant on TripAdvisor” (Vice UK, 2017, 2690 Words)
Darryl Campbell, “The Humiliating History of the TSA” (The Verge, 2022, 6100 words)
Elizabeth Carr, “Mental Health is Political” (New York Times, 2022, 2150 words)
Many Len Catron, “To Fall in Love with Anyone, Do This” (New York Times, 2015, 1653 words)
Michael Chabon, “My Son, the Prince of Fashion” (GQ, 2016, 5344 words)
Emily Chang, “Oh My God, This Is So F—ed Up”: Inside Silicon Valley’s Secretive, Orgiastic Dark Side” (Vanity Fair, 2018, 4775 words)
Lakeidra Chavis, Jodi S. Cohen, Jennifer Smith Richards, “The Quiet Rooms” (Chicago Tribune and ProPublica, 2019, 7,726 words)
Danny Chau, “The Burning Desire for Hot Chicken” (The Ringer, 2016, 5250 words)
Adrian Chen, “Unfollow” (The New Yorker, 10654 words)
Adrian Chen, “The Agency” (8151 words)
Adrien Chen, “Unmasking Violentacrez, The Biggest Troll on the Web” (Gawker, 4570 words)
Michelle Chihara, “What We Talk About When We Talk About Finance” (LA Review of Books, 3610 words)
David Chrisinger, “The Man Who Told America the Truth About D-Day” (The New York Times, 2019, 3350 words)
Mary H K Choi, “My Foreign Mom” (Aeon, 2400 words)
Ta-Nehisi Coates, “Letter to my Son” (The Atlantic, 8442 words)
Ta-Nehisi Coates, “The Case for Reparations” (The Atlantic, 15836 words)
Ta-Nehisi Coates, “The Paranoid Style of American Policing” (The Atlantic, 1092 words)
Ta-Nehisi Coates, "Fear of a Black President" (The Atlantic, 9709 words)
Pamela Colloff, “The Reckoning” (Texas Monthly, 12980 words)
Pamela Colloff, "The Innocent Man" (Texas Monthly, 12673 words)
Jason Concepcion, “What Whiplash Gets Wrong About Music School, and Right About Greatness” (Grantland, 982 words)
Allie Contie, “I Accidentally Uncovered a Nationwide Scam on Airbnb” (Vice, 2019, 5750 words)
Peter Coviello, “My Thoughts are Murder” (Avidly, 2016, 3274 words)
Peter Coviello, “Where I Want to Be” (Hyped on Melancholy, 2019, 1550 words)
Jack Crosbie, “You Can’t Expect a Company to Have Morals” (Discourse, 2023, 750 words)
Sloane Crosley, “How to Start your Candy Cane Collection in 23 Easy Steps” (1795 words)
Brent Cunningham, “Losing the News” (Pacific Standard, 2019, 6,333 words)
Guy Patrick Cunningham, “Don’t Settle: The Journalist in the Shadow of the Commercial Web” (4581 words)
Vinson Cunningham, “What Makes an Essay American?” (1902 words)
Andy Cush, “Everything I Ever Thought I Knew About Street Sharks Was a Goddamn Lie” (Gawker, 362 words)
The Cut, Editorial Staff, “Do You Know How to Behave? Are You Sure? How to text, tip, ghost, host, and generally exist in polite society today”
Angella d’Avignon, “The Mortician and the Murderer (Topic, 2019, 3,783 words)
Meghan Daum, “My Mis-spent Youth” (Longform, 5860 words)
Meghan Daum, “Haterade” (The Believer, 2012, 5300 words)
Madeleine Davies, “Becoming Ugly” (Jezebel, 2201 words)
Claire Dederer, “What Do We Do With the Art of Monstrous Men?” (Paris Review, 2017, 5200 words)
Benoit Denizet-Lewis, “Why Are More American Teenagers Than Ever Suffering From Severe Anxiety?” (NYT, 2018, 7800 Words)
Hossein Derakhshan, “The Web We Have to Save” (Medium, 3633 words)
Hossein Derakhshan, “Social Media is Killing Discourse Because It's Too Much Like TV” (Technology Review, 2016, 885 words)
Caitlin Dewey, “Even in Real Life, There Were Screens Between Us” (New York Times, 1526 words)
Helen DeWitt, “Diary of Being Stalked” (London Review of Books, 4153 words)
Bronwen Dickey, “Climb Aboard, Ye Who Seek the Truth!” (Popular Mechanics, 5010 words)
Renée DiResta, “The New Media Goliaths” (Noema, 2023, 3000 words)
Jenny Diski, “Why didn’t you just do what you were told?” (London Review of Books, 6229 words)
Chris Dixon, “What’s Next in Computing” (Medium, 2484 words)
Cory Doctorow, “The Enshittification of TikTok” (Wired, 2023, 570 words)
Dog, “Is it Time?” (Gawker, 440 words) (RIP - Available on archive.org)
Charles Duhigg and Keith Bradsher, “How the US Lost Out on iPhone Work” (New York Times, 5125 words)
Justin Elliott and Paul Kiel, “Inside TurboTax’s 20-Year Fight to Stop Americans From Filing their Taxes for Free” (ProPublica, 2019, 6900 words)
Shonni Enelow, “The Great Recession” (Film Comment, 3371 words)
Barbara Ehrenreich, “Divisions of Labor” (New York Times, 2078 words)
Jason Fagone, “The Lottery Hackers” (Huffpo Highline, 2018, 11000 words)
Jason Fagone, “What Bullets do to Bodies” (Huffpo Highline, 2017, 7800 words)
Susan Faludi, “Facebook Feminism, Like It or Not” (The Baffler, 14164 words)
Jason Farago, “It’s Time to Take Down the Mona Lisa” (New York Times, 2019, 1500 words)
Henry Farrell, “A Brief Theory of Very Serious People” (1275 words)
Ronan Farrow, “From Aggressive Overtures to Sexual Assault: Weinstein’s Accusers Tell Their Stories” (The New Yorker, 2017, 7900 words)
Ronan Farrow, “The Black Cube Chronicles” (The New Yorker, 2019, 10,500 words)
Timothy Faust, “The Transformative Potential of Single-Payer” (The Outline, 2019, 1950 words)
Timothy Faust, “I Played 'The Boys Are Back in Town' on a Bar Jukebox Until I Got Kicked Out” (Vice, 2015, 1500 words)
Ashley Feinberg, “The Creepiest Things You Can Do on Facebook” (Gizmodo, 2015, 800 words)
Ashley Feinberg, “Is Donald Trump's Hair a $60,000 Weave? A Gawker Investigation” (Gawker, 3700 words)
Ashley Feinberg, “Jack Dorsey Has No clue What He Wants” (Huffpost, 2019, 5200 words)
Ashley Feinberg, “Pete Buttigieg's Campaign Says This Wikipedia User Is Not Pete. So Who Is It?” (Slate, 2019, 3500 words)
Abbey Fenbert, “The Pitch Meeting for Wishbone” (The Toast, 1022 words)
Helena Fitzgerald, “Late Nights Online” (Hazlitt, 2017, 4448 words)
Helena Fitzgerald, “Bad Summer” (Griefbacon, 2019, 1500 words)
Helena Fitzgerald, “Late Night” (Griefbacon, 2019, 1100 words)
Helena Fitzgerald, “The Duolingo Owl” (Griefbacon, 2021, 2687 words)
Emily Flake, “Young and Dumb Inside” (The New Yorker, 2017, 800 words)
Carlin Flora, “Bad Friends” (Aeon, 2400 words)
Paul Ford, “10 Timeframes” (Contents, 2608 words)
FreeDarko, “The Day Never Ended” (FreeDarko, 13305 words)
Amber A'Lee Frost, “The Necessity of Political Vulgarity” (Current Affairs, 2016, 2450 words)
James Ross Gardner, "The Secret Life of Crows" (Seattle Met, May 2017, 3292 words)
Helen Garner, “The Insults of Age” (2132 words)
Jonothan Gatehouse, “America Dumbs Down” (2370 words)
Lindsey Gates-Markel, “In Celebration of Old-School Livejournal” (The Toast, 1824 words)
Roxane Gay, “Why America Needs Internet Outrage” (Salon ,930 words)
Roxane Gay, “The Careless Language of Sexual Violence” (The Rumpus, 2581 words)
Roxane Gay, “Tiny House Hunters and the Shrinking American Dream” (Curbed, 2017, 1704 words)
Rachel Kaadzi Ghansah, “If He Hollers Let Him Go” (9330 words)
Rachel Kaadzi Ghansah, “A Most American Terrorist: The Making of Dylann Roof” (2018, GQ, 12315 words)
Emily Giambalvo, “A Second Chance” ( The Washington Post, 2019, 6,032 words)
Amelie Gilette, “The Zach Braff Challenge” (AV Club, multi-part series)
Amelie Gilette, “Becoming a Lady” (The Believer, 550 words)
Christopher Goffard, “Framed” (LA Times, 16262 words)
Jonathan Gold, “Teaching in the Post-Truth Era” (Student Voices, 2081 words)
Lizzy Goodman, “The Last Moment of the Last Great Rock Band” (Vulture, 2017, 3400 words)
Jeremy Gordon, “Is Everything Wrestling?” (The New York Times, 1825 words)
Michael Grabell and Howard Berkes, “Opting Out: Inside Corporate America’s Campaign to Ditch Workers’ Comp” (7069 words)
David Graeber, “The Bully's Pulpit” (The Baffler, 2015, 4500 words)
David Graeber, “On the Phenomenon of Bullshit Jobs” (Strike, 2013, 2000 words)
Dino Grandoni, “Why Fireflies are Going Extinct, and What You Can Do About It” (Washington Post, 2023, 1400 words)
David Grann, “A Murder, Foretold” (New Yorker, 2011, 14000 words)
Megan Greenwell, “The Adults in the Room” (Deadspin, 2019, 2500 words) [archived]
James Greig, “Everyone Needs to Grow Up” (Dazed, 2023, 1530 words)
Shuja Haider, “Song for My Father” (Popula, 2019, 6600 words)
Rahawa Haile, “Going it Alone” (Outside, 2017, 3700 words)
Kathleen Hale, “Prey” (Hazlitt, 6126 words)
Spencer Hall, “Broke” (Every Day Should Be Saturday, 3408 words)
Spencer Hall, “When the Levee Breaks” (SB Nation, 2017, 2622 Words)
Aaron Hamburger, “Sweetness Mattered” (Tin House, 2018, 3,575 words)
Nikole Hannah-Jones “Choosing a School for my Daughter in a Segregated City” (10148 words)
Malcolm Harris, “Lego Marx” (4255 words)
Malcolm Harris, “What's So Bad about Politically Correct Art?” (Mother Jones, 2020, 4300 words)
Malcolm Harris, “Why Are Kids So Sad?” (New York, 2022, 1600 words)
Maggie Harrison, “Sports Illustrated Published Articles by Fake, AI-Generated Writers” (Futurism, 2023, 1900 words)
Rob Harvilla, “Love is Not a Battlefield, and Neither is Jeni’s: An Afternoon Eating Ice Cream with Hanif Abdurraqib” (The Ringer, 2019, 3100 words)
Caroline Haskins, “Airpods are a Tragedy” (Motherboard, 2019, 3000 words)
Chris Hayes, “On the Internet We're Always Famous” (The New Yorker, 2021, 1860 words)
CJ Hauser, “The Crane Wife” (Paris Review, 2019, 3600 words)
Heather Havrilesky, “What Romance Really Means After 10 Years of Marriage” (2143 words)
Emma Healey, “Disrupters, Disconnectionists, and Dicks” (2994 words)
Justin Heckert, “For One Last Night, Make It a Blockbuster Night” (The Ringer, 2018, 9,282 words)
Jeet Heer, “What Were Blogs?” (1200 words)
Zoë Heller, “'Hot' Sex and Young Girls” (2813 words)
Elizabeth Hellmuth Margulis, “One More Time” (2700 words)
Carl Hendrick, “Learning Styles Don’t Exist” (Aeon, 2023, 6700 words)
Amanda Hess, “Why Women Aren't Welcome on the Internet” (7382 words)
David Hill, “The Union, Forever” (7310 words)
David Hill, “Sweat in the Game: A Gambler’s Grind in the NBA” (3061 words)
David Hill, “Fading the Vig”
David Hill, “The Hunting Party: Two Days in Vegas at the ‘Big Buck Hunter’ Championships” (Thrillist, 2017, 7550 words)
David Hill, “The Siren Song of the American Truck Driver” (The Ringer, 2017, 7000 words)
David Hill "In the Pit with the Fighting Roosters" (The Ringer, 2018, 8200 words)
Kashmir Hill, “How Facebook Figures Out Everyone You’ve Ever Met” (Gizmodo, 2017, 2400 words)
Michael Hobbes, “Everything You Know About Obesity is Wrong” (HuffPost Highline, 2018, 7400 words)
Michael Hobbes, “The Golden Age of White Collar Crime” (HuffPost Highline, 2020, 7100 words)
Michael Hobbes, “Savvy Punditry isn't Smart” (2021, 2400 words)
Jacob Hodes, “Whitewood Under Siege” (4237 words)
Marc Hogan, “The Contentious Tale of the McDonald’s ‘I’m Lovin It’ Jingle” (1450 words)
Alex Horton, “In Iraq, I raided insurgents. In Virginia, the police raided me.” (1804 words)
Kerry Howley, “Everyone Believed Larry Nassar (The Cut, 2018, 6300 words )
Hua Hsu, “My Dad and Kurt Cobain” (The New Yorker, 2022, 5200 words)
Anne Hull, “The Lonely Road of Staying Clean” (3778 words)
Wil S. Hylton, “The Mysterious Metamorphosis of Chuck Close” (7500 words)
Leslie Jamison, “The Empathy Exams” (9470 words)
Leslie Jamison, “Fog Count” (6444 words)
Sarah Jeong, “Did Inadequate Women’s Healthcare Destroy Star Wars’ Old Republic?” (2118 words)
Cord Jefferson, “The Zimmerman Jury Told Young Black Men What They Know Already” (1120 words)
Maggie Jones, “What Teenagers Are Learning from Porn” (NYT, 2018, 7700 words)
Chris Jones, “The Art of the Body Shot” (1158 words)
Chris Jones, “TV's Crowning Moment of Awesome” (5085 words)
Tom Junod, “The State of the American Dog” (6324 words)
Tom Junod, “The Falling Man” (7385 words)
Tom Junod, “Theater of Pain” (5947 words)
Tom Junod, “Surviving the Fall” (1889 words)
Rawiya Kameir, “Rethinking Appropriation and Wokeness in Pop Music” (Pitchfork, 2020, 2900 words)
Jay Caspian Kang, “The Headline, The Tweet, and the Unfair Significance of Jeremy Lin” (2234 words)
Jay Caspian Kang, “Our Demand is Simple: Stop Killing Us” (6966 words)
Jay Caspian Kang, “The High is Always the Pain and the Pain is Always the High” (5173 words)
Jay Caspian Kang “What a Fraternity Hazing Death Revealed About the Painful Search for Asian-American Identity”(New York Times, 2017, 7162 words)
Alex Kantrowitz, “How the 2016 Election Blew Up in Facebook's Face” (3443 words)
Joshua Kaplan, Justin Elliott, and Alex Mierjeski “Clarence Thomas and the Billionaire” (ProPublica, 2023, 3200 words)
Pete Keeley, “Guns and (Shea) Butter: An Oral History of ‘Predator’” (The Hollywood Reporter, 2017, 6300 words)
Kim Kelly, “The Singing Left” (The Baffler, 2021, 2500 words)
Danyoung Kim, “When Cars Kill” (The New Yorker, 2022, 5900 words)
Walter Kirn, “Confessions of an Ex-Mormon” (6000 words)
Jonathan Kirshner, “America, America” (4218 words)
Phil Klay, “The Citizen-Soldier” (9382 words)
Chuck Klosterman, “Myspace.com/Doppelganger” (1169 words)
Chuck Klosterman, “Three Man Weave” (2048 words)
Chuck Klosterman, “Taylor Swift Runs the World” (4624 words)
Chuck Klosterman, “The Pretenders” (3400 words)
Dan Kois, “The Case for Hanging Out” (Slate, 2023, 2800 words)
Scaachi Koul, “The Crisis in Kashmir Has Started a Conversation I Don’t Know How to Have” (Buzzfeed, 2019, 3750 words)
Scaachi Koul, “I Shouldn’t Have to Lose Weight for my Wedding. So Why Do I Feel Like a Failure?” (2018, Buzzfeed, 3530 words)
Scaachi Koul, “I Watched ‘Cats’ and WTF?” (Buzzfeed, 2019, 900 words)
Jackie Kruszewski, “In Which We Don’t Do Coke in the Bathroom of the Restaurant” (2055 words)
Molly Lambert, “Porntopia” (Grantland, 10555 words)
Molly Lambert, “In Which We Teach You How to Be a Woman in any Boys' Club” (This Recording, 2011, 2829 words)
Molly Lambert, “Lexapro, Kanye & Me” (MTV, 1052 words)
John Lanchester, “After the Fall” (London Review of Books, 2018, 7,694 words)
Jaron Lanier, “There is No A.I.” (The New Yorker, 2023, 3800 words)
Jeanne Marie Laskas, “To Obama With Love, With Hate, and With Desparation” (8823 words)
Kiese Laymon, “What I Pledge Allegiance To” (The Fader, 3418 words)
Kiese Laymon, “Da Art of Storytellin” (Oxford American, 1233 words)
Kiese Laymon, “How to Slowly Kill Yourself and Others in America” (Gawker, 4711 words)
Kiese Laymon, “I Am a Big Black Man Who Will Never Own a Gun Because I Know I Would Use It” (Gay Mag, 2018, 2500 words)
John Patrick Leary, “The Performative Rhetoric of 'Allyship'” (The New Republic, 2021, 525 words)
Jill Lepore, “The Disruption Machine” (The New Yorker, 6025 words)
Jill Lepore, “Franklin, Reconsidered” (4968 words)
Jill Lepore, “The Last Amazon: Wonder Woman” (7938 words)
Jill Lepore, “Battleground America” (9205 words)
Ariel Levy, “Thanksgiving in Mongolia” (The New Yorker, 2013, 3906 words)
Ariel Levy, “Lift and Separate” (The New Yorker, 2009, 6139 words)
Ariel Levy, “A Ring of One's Own” (7775 words)
Sheila Liming, “My Professor’s Living Room” (Majuscule, 2019, 3000 words)
James Livingston, “Fuck Work” (3000 words)
Patricia Lockwood, “Rape Joke” (1295 words)
Patricia Lockwood, “Malfunctioning Sex Robot” (London Review of Books, 2019, 6750 words)
Lili Loofbourow, “The Male Glance” (VQR, 2018, 6000 words)
German Lopez, “America’s Gun Problem, Explained” (3466 words)
Sara Lukinson, “The Friendships That Hold Us in Their Keep” (The New York Times, 2017, 1000 words)
Jeb Lund, “Everything Stupid is Alive, and Everything Stupid Can Kill You” (1906 words)
Alec MacGillis, “‘I Will Never Let Boeing Forget Her’” (ProPublica, 2019, 7,838 words)
Drew Magary, “Stephen A. Smith is Never Satisfied” (GQ, 2019, 11,500 words)
Drew Magary, “The Night the Lights Went Out” (Deadspin, 2019, 7,130 words)
Mike Mariani, “Promethea Unbound” (The Atavist, 2017, 12630 words)
Molly McHugh, “How We Built Our Bubble” (The Ringer, 2016, 3165 words)
Kelsey McKinney, “When the Cherries Run Out” (Defector, 2021, 2450 words)
Kelsey McKinney, “The Money is in All the Wrong Places” (Defector, 2022, 2375 words)
Kelsey McKinney, “Is The Phillies’ Good Luck Charm A Dedication To Himbo Culture And Showing Clavicle?” (Defector, 2023, 2500 words)
Tressie McMillan Cottom, “When Your Curriculum Has been Tumblrized” (665 words)
Tressie McMillan Cottom, “I Was Pregnant and in Crisis. All the Doctors and Nurses Saw Was an Incompetent Black Woman” (Time, 2019, 1800 words)
Tressie McMillan Cottom, “We Need to Address Scam Culture” (New York Times, 2021, 1200 words)
Sarah Maslin Nir, “The Price of Nice Nails” (6594 words)
Alana Massey, “Against Chill” (Matter, 2015, 1400 words)
Dylan Matthews “The TSA is a waste of money that doesn’t save lives” (Vox, 1064 words)
B.D. McClay, “A Decade of Sore Winners” (The Outline, 2019, 3200 words)
B.D. McClay, “Let People Enjoy this Essay” (Gawker, 2021, 2900 words)
Mac McClelland, “Can the Ivory-Billed Woodpecker Be Found in Cuba?” (Audobon, 7150 words)
Dan McQuade, “The Myth of Cops Overdosing from Touching Fentanyl Persists for a Reason” (Defector, 2021, 4600 words)
Dvora Meyers, “The U.S. Gymnastics System Wanted More Medals, And Created A Culture Of Abuse To Get Them” (Deadspin, 2017, 6500 Words)
Emily Michot and Julie K. Brown, “How a future Trump Cabinet Member Gave Serial Sex Abuser Jeffrey Epstein the Deal of a Lifetime” (Miami Herald, 2019, 5800 words)
Sarah Marshall,”Violent Delights” (The Beliver, 2022, 7500 words)
Sarah Miller, “The Movie Assassin” (Popula, 2018, 5500 words)
Steve Molaro, “The Great Pizza Orientation Test” (The Sneeze, 2007, 462 words)
Rani Molla “The rise of fear-based social media like Nextdoor, Citizen, and now Amazon’s Neighbors” (Recode, 2019, 2000 words)
Alexandra Molotkow, “Sing to Me” (Real Life, 2016, 2756 words)
Jon Mooallem, “Who Invented the High Five?” (ESPN, 2013, 3101 words)
Michael J. Mooney, “The Most Amazing Bowling Story Ever” (D Magazine, 2012, 4570 words)
Kevin Morris, “The Greatest Story Reddit Ever Told” (Kernel, 5562 words) (archived version)
Wesley Morris, “2015: :The Year We Obsessed Over Identity” (New York Times, 3811 words)
Wesley Morris, “Last Taboo” (The New York Times, 2016, 6236 words)
Amanda Mull, “Body Positivity Is a Scam” (Racked, 2018, 2,447 words)
Amanda Mull, “Pandemic Shoppers are a Nightmare” (The Atlantic, 2021, 3200 words)
Giri Nathan, “Conquering the Carolina Reaper Requires Self-Deceit, Milk, and a Lot of Barf” (Deadspin, 2019, 2750 words)
Joshua Needelman, “Putting the Rich World of Philadelphia’s Public Art Online” (New York Times, 2023, 1150 words)
Casey Newton, “Bodies in Seats” (The Verge, 2019, 6,712 words)
Hamilton Nolan, “Fuck Boston” (Gawker, 557 words)
Hamilton Nolan, “Everything’s Not Good” (Gawker, 1650 words)
Hamilton Nolan, “The Working Person’s Guide to the Industry that Might Kill Your Company” (Splinter, 2018, 1700 words)
Hamilton Nolan, “Amazon Warehouse Employees are the Most Important Workers in America” (Splinter, 2017, 1550 words)
Hamilton Nolan, “A Year in the Life of Safeway 1048” (In These Times, 2021, 3100 words)
Emily Nussbaum, “How Jokes Won the Election” (The New Yorker, 4100 words)
Caroline O'Donovan, Charlie Warzel and Logan McDonald, “We Followed YouTube's Recommendation Algorithm Down the Rabbit Hole” (BuzzFeed, 2019, 2800 words)
Ryan O’Hanlon, “Allen Iverson, iPhones, and Inbox Zero: What We Lose When We Obsess Over Efficiency” (The Ringer, 2017, 1000 words)
Luke O’Neil, “Yes, I said, but always as a tree way up ahead” (Welcome to Hell World, 2019, 5000 words)
Luke O’Neil, “I hate what they’ve done to almost everyone in my family” (Welcome to Hell World, 2019, 5700 words)
Luke O’Neil, “They reached out to Navient and were told lies by Navient” (Welcome to Hell World, 2019, 4000 words)
Luke O’Neil, “This is the most ghoulish cynical capitalistic nightmare” (Welcome to Hell World, 2019, 3300 words)
Dan O’Sullivan, “Money in the Bank” (Jacobin, 2014, 5800 words)
Rebecca Onion, “Against Generations” (Aeon, 2015, 3100 words)
Rebecca Onion, “Snapshots of History” (Slate, 2373 words)
Daniel Mallory Ortberg, “Inappropriate Internal Responses I Have Had to Innocuous Statements” (The Toast, 233 words)
Daniel Mallory Ortberg, “Femslash Friday: Mean Girls’ Layers Upon Lesbian Layers” (The Toast, 980 words)
Daniel Mallory Ortberg, “The Queen of Summer: Martin Prince’s Finest Moments” (The Toast, 1184 words)
Daniel Mallory Ortberg, “Everyone Has Imposter Syndrome Except for You” (The Toast, 334 words)
Daniel Mallory Ortberg, “If Stanley Tucci Were Your Boyfriend” (The Toast, 639 words)
Patton Oswalt, “A Closed Letter to Myself About Thievery, heckling and Rape Jokes” (6333 words)
Alex Pappademas, “The Decade Comic Book Nerds Became Our Cultural Overlords” (Gen, 2019, 2650 words)
Alex Pareene, “Consolation Prizes” (The Baffler, 2019, 4750 words)
Alex Pareene, “Teenage Pricks” (The Baffler, 2019, 4300 words)
Alex Pareene, “The Death of the Rude Press” (The New Republic, 2019, 1700 words)
Ian Parker, “The Story of a Suicide” (The New Yorker, 12875 words)
Ben Paynter, “Genius: The Nickelback Story” (Bloomberg, 3316 words)
Jeff Pearlman, “The Paragraph: The Fallout from Sportswriting’s Filthiest Fuck-Up” (Deadspin, 2017, 5275 words)
Bradford Pearson, "The Most Amazing Bowling Story Ever" (D Magazine, 2012, 4600 words)
Laurie Penny, “Meltdown of the Phantom Snowflakes” (2815 words)
Laurie Penny, “On Nerd Entitlement” (2815 words)
Laurie Penny, “The Globalized Jitters” (The Baffler, 2017, 4300 words)
Jennifer Percy, “I Have No Choice but to Keep Looking” (6184 words)
Anne Helen Petersen, “There Are Things of Which I May Not Speak” (2903 words)
Anne Helen Petersen, “Here’s What It’s Like at Standing Rock” (1545 words)
Anne Helen Petersen, “Jennifer Lawrence and the History of Cool Girls” (Buzzfeed, 2014, 5927 words)
Amanda Petrusich, “MTV, Chance the Rapper and a Defense of Negative Criticism” (1403 words)
Shannon Pettypiece, “Walmart's Crime Problem” (3176 words)
Brian Phillips, “We Are Living in a Robot Moment” (MTV, 2586 words)
Brian Phillips, “Shirtless Trump Saves Drowning Kitten” (MTV, 1738 words)
Brian Phillips, “A Fighter Abroad” (Grantland, 4950 words)
Brian Phillips, “The Sea of Crises” (Grantland, 10196 words)
Brian Phillips, “Corruption, Murder, and the Beautiful Game” (Grantland, 4209 words)
Brian Phillips, “The Cost of Living in Mark Zuckerberg’s Internet Empire” (The Ringer, 2018, 2000 words)
Brian Phillips, “Boca Juniors, River Plate, and the Allure of Violence in Sports” (The Ringer, 2018, 1100 words)
Charlie Pierce, “The Cynic and Senator Obama” (Esquire, 6590 words)
Simon Pitt, “Computer Files are Going Extinct” (OneZero, 2019, 2500 words)
Catherine Porter, “At His Own Wake, Celebrating Life and the Gift of Death” (The New York Times, 2017, 7500 words)
Monica Potts, “How Rural America Steals Girls’ Futures” (The Atlantic, 2023, 3530 words)
Lisa Rab, “Life Below the Poverty Line in Banktown, USA” (Charlotte Magazine, 3769 words)
Patrick Radden Keefe, “The Family That Built an Empire of Pain” (The New Yorker, 2017, 13000 words)
David Rakoff, “Fu Fighters” (Outside, 3200 words)
David Rakoff, “Whatsizface?” (Salon, 3741 words)
Claudia Rankine, “The Meaning of Serena Williams” (NYTimes, 3189 words)
Venkatesh Rao, “The American Cloud” (Aeon, 3800 words)
Tarance Ray, “United in Rage” (The Baffler, 2021, 6800 words)
Elspeth Reeve, “The Secret Lives of Tumblr Teens” (New Republic, 9864 words)
Nathaniel Rich, “Losing Earth: The Decade We Almost Stopped Climate Change (The New York Times Magazine, 2018, 30,663 words)
Jordan Ritter Conn, “The End of the Hoop Dream” (Grantland, 7500 words)
Soraya Roberts, “Winona, Forever” (Hazlitt, 2016, 9618 words)
Cory Robin, “The Obamanauts” (Dissent, 2019, 6000 words)
Cory Robin, “The Plight of the Political Convert” (The New Yorker, 2019, 3000 words)
Nathan Robinson, “The Cool Kid’s Philosopher” (Current Affairs, 2017, 7800 words)
Zandria F. Robinson, “Listening for the Country” (Oxford American, 7358 words)
Zandria F. Robinson, “Border Wars” (Oxford American, 2017, 8200 words)
Jon Ronson, “How One Stupid Tweet Blew Up Justine Sacco's Life” (New York Times, 2015, 4500 words)
Jon Ronson, “Marwencol” (The Guardian, 2015, 2500 words)
Jon Ronson, “How to Spot a Psychopath,” (The Guardian, 2011, 4421 words)
Jon Ronson, “Robots Say the Damndest Things” (GQ, 2015, 4700 words)
Jody Rosen, “The Day the Music Burned” (New York Times Magazine, 2019, 1200 words)
Hanna Rosin, “The Overprotected Kid” (The Atlantic, 8849 words)
Helen Rosner, “The Best Diners are Still Just Diners” (The New Yorker, 2024, 1250 words)
David Roth, “Downward Spiral” (The Baffler, 2017, 5000 words)
David Roth, “Richie Incognito Will Get Work As Long as the NFL Mistakes Fear for Strength” (Deadspin, 2019, 1600 words)
David Roth, “The Man Who Was Upset” (The New Republic, 2019, 4900 words)
David Roth, “ESPN has Found the Absolute Worst Way to Talk About the Absolute Coolest Stuff” (Defector, 2021, 1400 words)
David Roth, “Mark Zuckerberg is TNR's 2021 Scoundrel of the Year” (The New Republic, 2021, 2400 words)
David Roth, “The Man Who Invented Himself” (Defector, 2023, 2550 words)
David Roth, “Scorn Illustrated” (Defector, 2023, 2100 words)
Elizabeth Royte, “Vultures are Revolting: Here's Why We Need to Save Them” (National Geographic, 4900 Words)
Franceska Rouzard, “Advanced Search” (Real Life, 2016, 4587 words)
Harriet Ryan, Lisa Girion and Scott Glover, “Oxycontin’s 12-Hour Problem” (LA Times, 6778 words)
Larry Sanger, "Is there a new Geek Anti-Intellectualism?" (Larry Sanger.org, 2373 words)
Eli Saslow, “Into the Lonely Quiet” (The Washington Post, 6433 words)
Eli Saslow, “The White Flight of Derek Black” (The Washington Post, 6536 words)
Eli Saslow, “’How’s Amanda?’: A Story of Truth, Lies, and American Addiction” (The Washington Post, 2016, 5799 words)
Luke Savage, “Entertainment Monopolies are Zombifying Mass Culture” (Jacobin, 2021, 1600 words)
George Saunders, “My Writing Education: A Time Line” (The New Yorker, 4187 words)
George Saunders, “Who Are All These Trump Supporters?” (The New Yorker, 10474 words)
George Saunders, “The Great Divider” (GQ, 11158 words)
Tom Scocca, “On Smarm” (Gawker, 9200 words)
Amy Schneider, "How I Got Smart" (Defector, 2021, 1500 words)
Kathryn Schulz, “The Really Big One” (The New Yorker, 6184 words)
Kathryn Schulz, “Citizen Khan: The Muslim Tamale King of Wyoming” (The New Yorker, 7700 words)
Sarah Schweitzer, “The Life and Times of Strider Wolf” (Boston Globe, 6649 words)
A.O. Scott, “Film Snob? Is That So Wrong?” (The New York Times, 2015, 1774 words)
David Sedaris, “What I Learned” (The New Yorker, 2070 words)
Jennifer Senior, “Why You Never Truly Leave High School” (New York, 5530 words)
Jennifer Senior, “The Ones We Sent Away” (The Atlantic, 2023, 13500 words)
Adam Serwer, “Civility is Overrated” (The Atlantic, 2019, 3600 words)
Matthew Shaer, “Whatsoever Things are True” (Atavist, 16226 words)
Charlotte Shane, “The Right to Not Be Pregnant” (Harpers, 2022, 3300 words)
Stephen Shankland, “The Secret Life of the 500+ Cables that Run the Internet” (CNet, 2023, 4000 words)
Timothy Shenk “Already Great: the Dead-End Optimism of Parks & Rec” (Dissent, 2019, 3700 words)
Gabriel Sherman, “The Revenge of Roger's Angels” (New York, 7380 words)
Earl Shorris, “American Vespers: The Ebbing of the Body Politic” (Harpers, 4237 words)
Craig Silverman, “Old, Online, and Fed on Lies: How an Aging Population Will Reshape the Internet” (Buzzfeed, 2019, 3800 words)
JJ (fka Jes) Skolnik, “The Fight for All-Ages Shows” (Pitchfork, 2015, 1254 words)
Ben Smith, “My Life in the Blogosphere” (Buzzfeed, 2074 words)
Zadie Smith, “Generation Why?” (NY Review of Books, 5685 words)
Zadie Smith, “Fences: A Brexit Diary” (NY Review of Books, 4557 words)
Zadie Smith, “What Beyonce Taught Me” (The Guardian, 3610 words)
Nick Solares, “New York Pizza Styles: A Complete Guide” (Eater, 3724 words)
Leah Sottile, “This is Meant to Hurt You” (Moss, 3793 words)
Rebecca Solnit, “Living in Dark Times.” (The Guardian, 3610 words)
Doreen St. Felix, “The Images We Can't Unsee” (MTV, 2016, 1065 words)
Emily St. James, “What's So Scary About a Transgender Child?” (Vox, 2022, 3750 words)
Tiffany Stanley, “Life, Death, and Insulin (Washington Post, 2019, 5,200 words)
Dean Starkman, “Confidence Game” (Columbia Journalism Review, 7710 words)
James B. Stewart, “The Real Heroes are Dead: A Love Story” (The New Yorker, 10450 words)
Sarah Stillman, “Taken” (The New Yorker, 11462 words)
Sarah Stillman, “The List” (The New Yorker, 11547 words)
Matt Taibbi, “Why Sports are for Losers” (Men's Journal, 1641 words)
Matt Taibbi, “The Great American Bubble Machine” (Rolling Stone, 9726 words)
Matt Taibbi, “Why Isn’t Wall Street in Jail?” (Rolling Stone, 6189 words)
Matt Taibbi, “Looting Main Street” (Rolling Stone, 4422 words)
Jason Tanz, “Playing for Time” (Wired, 6454 words)
Ben Taub, “The Assad Files” (The New Yorker, 10453 words)
Amanda Taub, “The Truth about ‘Political Correctness’: It doesn’t actually exist” (Vox, 1889 words)
Astra Taylor, “Why Does Everyone Feel So Insecure All the Time?” (New York Times, 2023, 3000 words)
Sam Thielman, “No Matter How Your Heart is Grieving: Disney for the Sad” (The Toast, 4253 words)
Andrew Thomas, “Heaps of Woe” (Run of Play, 1812 words)
Wright Thompson, “Michael Jordan Has Not Left the Building” (ESPN, 2016, 7750 words)
Jonathan Tjarks, “Does My Son Know You?” (The Ringer, 2022, 2800 words)
Jia Tolentino, “Interview With a Woman Who Recently Had an Abortion” (Jezebel, 2016, 8200 words)
Jia Tolentino, “All the Greedy Young Abigail Fishers and Me” (Jezebel, 2016, 3200 words)
Jia Tolentino, “Athleisure, Barre, and Kale: The Tyranny of the Ideal Woman” (The Guardian, 2019, 4600 words)
Wells Tower, “The Elvis Impersonator, the Karate Instructor, a Fridge Full of Severed Heads, and the Plot 2 Kill the President” (GQ, 8386 words)
Reggie Ugwu, “Inside the Playlist Factory” (Buzzfeed, 5733 words)
Reggie Ugwu, A Secret Ingredient in Songs of Summer (The New York Times, 2019, 1100 words)
Brian VanHooker, “An Oral History of The Onion's 9/11 Issue” (Mel, 2021, 9000 words)
Don van Natta, Jr. “Jerry Football” (ESPN, 10875 words)
Claire Vaye Watkins, “On Pandering” (Tinhouse, 5152 words)
Vanessa Veselka, “In the Wake of Protest: One Woman’s Attempt to Unionize Amazon” (The Atlantic, 4757 words)
James Vincent, “Breaking Down the Best Slapstick GIF We’ve Ever Seen” (681 words)
Sarah Vowell, “The Speech the President Should Give” (741 words)
Jim Vorel, “The Loss of Netflix DVDs is More Bitter than You Realize” (Paste, 2023, 1975 words)
Kate Wagner, “This Sport Will Kill You if You Let It” (Derailleur, 2021, 3050 words)
Alissa Walker, “Stop Drinking Bottled Water” (1531 words)
Carvell Wallace, “Letter to my Mother after Charleston” (888 words)
David Foster Wallace, “E unibus pluram: Television and US Fiction” (21928 words)
David Foster Wallace, “Roger Federer as Religious Experience” (6619 words)
David Foster Wallace, “String Theory” (15000 words)
David Foster Wallace, “9/11 The View from the Midwest” (4439 words)
David Foster Wallace, “Host” (The Atlantic, 14934 words)
Libby Watson, “What Happens When We Die” (Sick Note, 2021, 3300 words)
Charlie Warzel, “A Honeypot for Assholes” (Buzzfeed, 5970 words)
Charlie Warzel, “The Big Tech Platforms Still Suck During Breaking News” (BuzzFeed, 2017, 1400 words)
Caity Weaver, “My 14 Hour Search for the End of TGI Friday's Endless Appetizers” (Gawker, 6217 words)
Caity Weaver, “Gravy Boat: My Week on the High Seas with Paula Deen and Friends” (Gawker, 7290 words)
Caity Weaver, “The Most Deranged Sorority Girl Email You Will Ever Read” (Gawker, 1597 words)
Caity Weaver, “The Ken Doll Reboot: Beefy, Cornrowed, and Pan-Racial” (GQ, 2017, 4144 Words)
Jennifer Weiner, “The F Word” (Allure, 2250 words)
Jessica Weisberg, “A Family Matter” (The Atavist, 10175 words)
Lindy West, “Hello, I am Fat” (The Stranger, 1106 words)
Lindy West, “A Great Big Person” (The Guardian, 2903 words)
Bee Wilson, “Why We Fell for Clean Eating” (The Guardian, 2017, 5763 words)
Gabriel Winant, “Who Works for the Workers?” (n+1, 5628 words)
Adam Winkler, “Corporations Are People' Is Built on an Incredible 19th-Century Lie” (The Atlantic, 2018, 1265 words)
Alia Wong, “College-Admissions Hysteria is Not the Norm” (The Atlantic, 2019, 500 words)
Steven T Wright, “’The Linux of Social Media’ – How LiveJournal pioneered, then lost blogging” (Ars Technica, 2019, 3600 words)
Lawrence Wright, “America’s Future is Texas” (The New Yorker, 2017, 19000 Words)
Laura Yan, “24 Hours at My Local Dunkin' Donuts” (The Outline, 2018, 3521 words)
Damon Young, “Thursday Night Hoops” (Defector, 2021, 5000 words)
Molly Young, “Sweatpants in Paradise” (The Believer, 2957 words)
Jess Zimmerman, “Hunger Makes Me” (Hazlitt, 3130 words)
Jess Zimmerman, “It Doesn't Hurt, It Hurts All the Time” (Catapult, 2020, 4500 words)
David Zipper, “How Cars Turned into Giant Killers” (2023, Slate, 3900 words)
Dave Zirin, “’Ne Vous Laissez Pas Manipuler,’ aka #StayWoke” (The Nation, 914 words)
Lindsay Zoladz, “Joni Mitchell: Fear of a Female Genius” (2017, The Ringer, 5800 words)
Lindsay Zoladz, “Look, Now Look Again: On Agnès Varda” (The Ringer, 2018, 3000 words)

MULTIMEDIA FEATURES

Rebecca Adams, “11 Images that People With Anxiety Will Understand”
Alphonso, McKenna and Van Paassen, “Student Aid” (2840 words)
Shane Bauer, “My Four Months as a Private Prison Guard” (36619 words)
Berkeley Grad Media/Journalism, “Chasing Lithium”
Jon Bois, “17776: What Football Will Look Like in the Future” (SB Nation, 2017, 40,000 words)
Ryan Bradley, “The Cancer Almanac" (3305 words)
John Branch, “Snow Fall” (17000 words)
Steven Brill, “America’s Most Admired Lawbreaker”
Matthew Carney, “Leave No Dark Corner: The Chinese 'Social Credit' System”
Scott Carney, “An Economic Analysis of the Somali Pirate Business Model”
Nicky Case, “The Wisdom and/or Madness of Crowds”
Alvin Chang, “We can draw school zones to make classrooms less segregated”
Simon Cox, “The Reykjavik Confessions”
Coral Davenport, Josh Haner, Larry Buchanon & Derek Watkins, “Greenland is Melting Away”
Joshua Davis, “Deep Sea Cowboys”
Melissa del Bosque, “Beyond the Border"
Eater, “The Eater Guide to Paris”
Andre Elliot & Ruth Fremson, “Invisible Child”
Fletcher, Tretick and Reed, “An Oral History of the March on Washington”
Paul Ford, “What is Code” (38000 words)
Brett Gaylor, “Do Not Track”
Gabriel Gianordoli, “How Fan Culture is Swallowing Democracy” (The New York Times, 2019, 1800 words)
David Graeber, “To Have is to Owe”
Jayson Greene, “Keep the Things You Forgot: An Elliott Smith Oral History”
Vi Hart and Nicky Case, “The Parable of the Polygons”
Michael Hobbes, “Millennials are Screwed” (8100 words)
Patrick Hruby, “The Long, Strange Trip of Dock Ellis”
Hua Hsu, “Touchstones: Nirvana's Nevermind”
The Intercept, “The Drone Papers”
Josie Jammet, “The Fall of the House of Tsarnaev”
Mark Johnson and Rick Wood, “The Course of their Lives"
Daniel Jones, “The 36 Questions that lead to Love”
Kathryn Joyce, “Out Here, No One Can Hear You Scream” (7000 words)
Jon Keegan, “Blue Feed, Red Feed”
Madison Malone Kircher, Briand Feldman, Max Read, “The Year in Memes”
Michael Keller and Josh Neufeld, “Terms of Service”
Kate Kilpatrick and Ian Bates, “Treasured Island”
Lighthouse Reports: Did Evil Win?
Bob Marshall, Brian Jacobs, Al Shaw, “Losing Ground"
Caitlin McNally, “Stickup Kid” (1000 Words, Atavist)
Siddhartha Mukherjee, “Doctor Without Borders”, (4932 Words)
National Geographic: “Billions of Birds Migrate: Where do they go?”
NPR, Planet Money Makes a T-Shirt
NYT, Walking New York
NYT, “25 Songs That Tell Us Where Music is Going” (27119 words)
NYT, “The 1619 Project” (The New York Times, 2019)
Elian Peltier, James Glanz, Mike Grondahl, Weily CAi, Adam Nossiter and Liz Alderman: Notre-Dame came far closer to collapsing than people knew. This is how it was saved. (2019, 3700 words. The New York Times)
Brian Phillips, “Out in the Great Alone” (19296 words)
Pointer, “The Story Behind an Identity Theft”
Malia Politzer and Emily Kassie, “The 21st Century Gold Rush: How the refugee crisis is changing the world economy”
Pro Publica, “Year in (mostly) Visual Journalism”
The Pudding, “The Musical Diversity of Pop Songs”
Evan Ratliff, Vanish (1200 Words)
Evan Ratliff, “The Mastermind”
Eric Reidy, “Ghost Boat”
Kevin Roose, “The Making of a YouTube Radical”
Neena Satija, Kiah Collier, Al Shaw and Jeff Larson, “Hell and High Water”
Northeastern Univ: Experience: “What Would You Do? Take an immigrant's journey”
Slate Staff, “2014: The year of outrage”
Doreen St. Felix, “Touchstones: Missy Elliott's 'Supa Dupa Fly'”
Anya Strzemien, “This is 18 Around the World -- Through Girls' Eyes”
John Jeremiah Sullivan, “The Ballad of Geeshie and Elvie”
Andrew Thompson and Matt Daniels, “The Musical Diversity of Pop Songs”
UNC Journalism, “The UnderCurrent”
Eleizabeth Van Brocklin, “Lockdown: Living Through the Era of School Shootings, One Drill at a Time” (2019, The Trace, 3700 words)
Connie Wang, “Generation Connie” (New York Times, 2023, 3400 words)
Charlie Warzel and Stuart Thompson, “Twelve Million Phones, One Dataset, Zero Privacy” (New York Times, 2019, 5000 words)
WaPo Mag & Ben Folds: Alternative Storytelling Issue
Craig Whitlock, “The Afghanistan Papers: At War with the Truth” (6500 words)
Francisco Zizola, “Adrift: At Sea With a Search-and-Rescue Mission in the Mediterranean”

PODCASTS

VIDEOS/PHOTOS

ESSENCE for “Black Girl Magic: Sage Adams,” directed by Laurie Thomas, “Black Girl Magic: Ammarah Haynes,” directed by Madeleine Hunt-Ehrlich, and “Black Girl Magic: Berneisha Hooker,” directed by Nailah Jefferson, at essence.com
New York With Narrative 4 for “Guns & Empathy,” December 26 at nymag.com
QKatie, “Cooking to Remember Home” (Verse Video)
Adam Kissick, “Newport Folk Festival” (photoseries)
STAT for “Science Happens! With Carl Zimmer: Episode 1,” March 25, “Science Happens! With Carl Zimmer: Episode 5,” March 31, and “Science Happens! With Carl Zimmer: Episode 8,” August 25, at statnews.com
Teen Vogue for “Guys Read: Sexual Assault—Jason and Yahdon,” “Guys Read: Sexual Assault—Spencer and Anthony” and “Guys Read—Sexual Assault: Andrew and Alex,” April 29 at teenvogue.com
TIME for “100 Photographs: Untitled (Cowboy),” “100 Photographs: A Portrait of Domestic Violence” and “100 Photographs: The Falling Man,” November 17 at 100photos.time.com
Chart Party and Dorktown at SB Nation
Earworm at Vox
NBA Desktop at The Ringer
Edith Zimmerman, “My First Year Sober” (Spiralbound, 2018)